Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Here and There displays a variety of landscapes that have intrigued me in the past several years in my travels up the coast of the U.S., along the coast of Portugal, near Tavira, and in and around the Tampa Bay area.

Give Thanks, Give Back by Hanna Rachocka is a charity exhibit benefiting the Carrollwood Cultural Center. 

The collection is a series of ten impasto acrylic paintings by Hanna Rachocka that transform the traditional still life into an elemental exploration of emotion, weather, and inner fire. Each vessel becomes a metaphor for the human spirit—resilient in rain, tangled in thought, radiant in bloom, or aflame with creative force. Together, the works weave a narrative of resilience, paradox, celebration, and transformation, inviting viewers to reflect on the seasons and storms of the soul. 

Six paintings by William Talenti that started with a deliberate modality—Realistic, Abstract, or Non-Objective—pairing each with a "sister" painting on an opposing wall to serve as a formal counterpoint.

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Here and There displays a variety of landscapes that have intrigued me in the past several years in my travels up the coast of the U.S., along the coast of Portugal, near Tavira, and in and around the Tampa Bay area.

Give Thanks, Give Back by Hanna Rachocka is a charity exhibit benefiting the Carrollwood Cultural Center. 

The collection is a series of ten impasto acrylic paintings by Hanna Rachocka that transform the traditional still life into an elemental exploration of emotion, weather, and inner fire. Each vessel becomes a metaphor for the human spirit—resilient in rain, tangled in thought, radiant in bloom, or aflame with creative force. Together, the works weave a narrative of resilience, paradox, celebration, and transformation, inviting viewers to reflect on the seasons and storms of the soul. 

Six paintings by William Talenti that started with a deliberate modality—Realistic, Abstract, or Non-Objective—pairing each with a "sister" painting on an opposing wall to serve as a formal counterpoint.

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Here and There displays a variety of landscapes that have intrigued me in the past several years in my travels up the coast of the U.S., along the coast of Portugal, near Tavira, and in and around the Tampa Bay area.

Give Thanks, Give Back by Hanna Rachocka is a charity exhibit benefiting the Carrollwood Cultural Center. 

The collection is a series of ten impasto acrylic paintings by Hanna Rachocka that transform the traditional still life into an elemental exploration of emotion, weather, and inner fire. Each vessel becomes a metaphor for the human spirit—resilient in rain, tangled in thought, radiant in bloom, or aflame with creative force. Together, the works weave a narrative of resilience, paradox, celebration, and transformation, inviting viewers to reflect on the seasons and storms of the soul. 

Six paintings by William Talenti that started with a deliberate modality—Realistic, Abstract, or Non-Objective—pairing each with a "sister" painting on an opposing wall to serve as a formal counterpoint.

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Here and There displays a variety of landscapes that have intrigued me in the past several years in my travels up the coast of the U.S., along the coast of Portugal, near Tavira, and in and around the Tampa Bay area.

Give Thanks, Give Back by Hanna Rachocka is a charity exhibit benefiting the Carrollwood Cultural Center. 

The collection is a series of ten impasto acrylic paintings by Hanna Rachocka that transform the traditional still life into an elemental exploration of emotion, weather, and inner fire. Each vessel becomes a metaphor for the human spirit—resilient in rain, tangled in thought, radiant in bloom, or aflame with creative force. Together, the works weave a narrative of resilience, paradox, celebration, and transformation, inviting viewers to reflect on the seasons and storms of the soul. 

Six paintings by William Talenti that started with a deliberate modality—Realistic, Abstract, or Non-Objective—pairing each with a "sister" painting on an opposing wall to serve as a formal counterpoint.

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Here and There displays a variety of landscapes that have intrigued me in the past several years in my travels up the coast of the U.S., along the coast of Portugal, near Tavira, and in and around the Tampa Bay area.

Give Thanks, Give Back by Hanna Rachocka is a charity exhibit benefiting the Carrollwood Cultural Center. 

The collection is a series of ten impasto acrylic paintings by Hanna Rachocka that transform the traditional still life into an elemental exploration of emotion, weather, and inner fire. Each vessel becomes a metaphor for the human spirit—resilient in rain, tangled in thought, radiant in bloom, or aflame with creative force. Together, the works weave a narrative of resilience, paradox, celebration, and transformation, inviting viewers to reflect on the seasons and storms of the soul. 

Six paintings by William Talenti that started with a deliberate modality—Realistic, Abstract, or Non-Objective—pairing each with a "sister" painting on an opposing wall to serve as a formal counterpoint.

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Here and There displays a variety of landscapes that have intrigued me in the past several years in my travels up the coast of the U.S., along the coast of Portugal, near Tavira, and in and around the Tampa Bay area.

Give Thanks, Give Back by Hanna Rachocka is a charity exhibit benefiting the Carrollwood Cultural Center. 

The collection is a series of ten impasto acrylic paintings by Hanna Rachocka that transform the traditional still life into an elemental exploration of emotion, weather, and inner fire. Each vessel becomes a metaphor for the human spirit—resilient in rain, tangled in thought, radiant in bloom, or aflame with creative force. Together, the works weave a narrative of resilience, paradox, celebration, and transformation, inviting viewers to reflect on the seasons and storms of the soul. 

Six paintings by William Talenti that started with a deliberate modality—Realistic, Abstract, or Non-Objective—pairing each with a "sister" painting on an opposing wall to serve as a formal counterpoint.