"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

"My work begins with an encounter. These photographs are not taken from a distance or in anonymity. Each image begins with a conversation — an introduction, a shared moment, and permission granted between two people who were unknown to one another minutes before. I am drawn to faces that carry experience rather than performance. Working […]

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.  

Abstract painting, unlike narrative or realistic work, does not tell a story. It just “IS.” One should look at the big picture first before dismissing the work. The art may be so surreal, strange, and mysterious that it is unknowable, but that's OK. That’s why it's called ART.